Categories
ixd lit

Fur flyin over The Atlantic's redesign

There's a lot of ani­mat­ed chat­ter among some of my favorite jour­nal­ists over the redesign of their publication's site. Last week, the Atlantic Month­ly rolled out what appears to the casu­al read­er as a slight update of the IA, along with some major changes to the way that blogs are inte­grat­ed. Read­er reac­tion was any­thing but casu­al; anger and sus­pi­cion seemed to be the most com­mon read­er emo­tions, shared, at least in part, by the writ­ers. The Wash­ing­ton Post's Ezra Klein nails the goal of the redesign, "Seems like a bet to re-cen­ter the Web site around the Atlantic as an insti­tu­tion rather than leav­ing it as a web host­ing ser­vice for a cou­ple of blog­gers." Which seems smart, actually.

The Atlantic online redesignThis clus­ter­cuss is the redesign. (I can't find a pic­ture of the "before," but it wasn't real­ly too dif­fer­ent, to the casu­al observer).

The real prob­lem: The redesign isn't rad­i­cal enough.It sim­ply shift­ed con­tent around — a sure-fire bet to piss off reg­u­lar read­ers. The redesign doesn't address big­ger prob­lems around find­abil­i­ty, read­abil­i­ty, nav­i­ga­bil­i­ty, what­ev­er you want to call a lin­ger­ing sense of not being able to get around eas­i­ly. It also breaks from a com­mon blog con­ven­tion: home­pages that includes lengthy con­tent for each post (UPDATE: they've changed this). The biggest change is that they've moved away from indi­vid­ual blogs as lin­ear, ever-expand­ing solo nar­ra­tives, which I think is inter­est­ing. What they're mov­ing toward is less clear.According to spir­it­ed com­men­tary by the Atlantic writ­ers, the redesign was dri­ven by the arcane cal­cu­lus of adver­tis­ing. I won't pre­tend to know how online ad place­ment works in a place like The Atlantic, but what I do know is that some­one told them to spread their fresh con­tent around, and it's kin­da half-spread.I am a big Atlantic read­er. I sub­scribe to the print edi­tion, and I reg­u­lar­ly read three of its blog­gers — Ta-Nehisi Coates, James Fal­lows and Andrew Sul­li­van. I sub­scribe to their feeds, so I don't go to theatlantic.com unless I want to com­ment on Coates' blog, or read com­ments, which means I'll head there a cou­ple of times a week, but when I get there I'll be deeply immersed in a thread.To me, the true oppor­tu­ni­ty was to lever­age the sprawl­ing, smart con­ver­sa­tions that these writ­ers con­tin­u­al­ly cre­ate — to cre­ate a sort of salon among the read­ers and writ­ers. To Klein's point above, you'd think a vir­tu­al salon would be exact­ly the kind of thing that would "re-cen­ter" the brand. Break­ing out of the con­ven­tion­al blog mod­el is a rea­son­able first step. Blogs are long threads, and main­tain­ing indi­vid­ual threads need­less­ly inhibits wider-scale con­ver­sa­tion. So they've tak­en that half-step away from threads (which are a help­ful orga­niz­ing prin­ci­ple for read­ers), but the salon is nowhere in sight. And this is a problem.

Categories
lit politics

My heart wanted to stab things but didn't have arms

(The title is from a poet named Tao Lin in a col­lec­tion called this emo­tion was a lit­tle e‑book).The Inter­net is like a small town, espe­cial­ly when there's some­thing to dis­agree about. Recent­ly, some of my favorite Inter­net cit­i­zens got into it over Obama's deci­sion to have poet­ry at his inauguration.I've always liked George Pack­er, the New Yorker's man on the ground in the ear­ly days of Iraq. I devoured his book about the first year of the occu­pa­tion, The Assas­sins' Gate. It tells the sto­ries of a few Iraqis who put their necks on the line to sup­port us when we arrived in 2003, and it comes to mind when­ev­er a con­ver­sa­tion turns to the need to find a way out of Iraq. I also read his blog, Inter­est­ing Times. He's the kind of jour­nal­ist who always does his home­work, which made it all the more puz­zling when he some­what flip­pant­ly crit­i­cized Barack Obama's deci­sion to ask Eliz­a­beth Alexan­der to read a poem at his inauguration:

For many decades Amer­i­can poet­ry has been a pri­vate activ­i­ty, writ­ten by few peo­ple and read by few peo­ple, lack­ing the lan­guage, rhythm, emo­tion, and thought that could move large num­bers of peo­ple in large pub­lic set­tings … [Ed.: Ouch.] … Obama's Inau­gu­ra­tion needs no height­en­ing. It'll be its own his­to­ry, its own poetry.

Ouch. A blan­ket dis­missal? The activ­i­ty of "a few peo­ple?" I start­ed writ­ing a response to this, but Ta-Nehisi Coates of The Atlantic beat me to it. His blog rules. He called out Pack­er for being pre­ma­ture­ly judg­men­tal, and sug­gest­ed that per­haps hip-hop lyrics were suit­ably rhyth­mic and emo­tive for the occa­sion. Yes.Lo and behold, Pack­er just post­ed what amounts to an apol­o­gy, and he does so in the best way, com­par­ing the cur­rent poet­ry scene to the NBA in the 1970s: 

Con­tem­po­rary Amer­i­can poet­ry has too many man­sions to be summed up under a throw­away phrase like "pri­vate activity.†Its mul­ti­tude of schools and forms is like the N.B.A. in the nine­teen-sev­en­ties, when there was no dom­i­nant team but a con­fused con­test of war­ring tribes. And I should have read more of Alexander's work than appears on her Web site, and more care­ful­ly, before express­ing skep­ti­cism that she'll be equal to the occa­sion on Jan­u­ary 20th.

So, the real ques­tion is: Who will be the David Stern of 21st cen­tu­ry Amer­i­can poet­ry? Chris Fis­chbach, I'm look­ing at you.