Categories
architecture visual

Architecture / CIGNA HQ

Flickr photo


Locat­ed among in sub­ur­ban Hart­ford, CT's office parks, strip malls and golf cours­es, the cor­po­rate head­quar­ters of CIGNA are unex­pect­ed­ly cool. Rea­son 1: A ROBOT deliv­ers mail to each depart­ment. Rea­son 2: The build­ing itself is low-lying and sleek, with green-tint­ed win­dows that, on sun­ny days, dis­ap­pear into the sky. It was designed by Gor­don Bun­shaft, who also designed the stun­ning Bei­necke Library at Yale and won the Pritzk­er Prize in 1988, and it's sur­round­ed by gar­dens, court­yards and sculp­ture by land­scap­ing badass Isamu Noguchi. A cou­ple of years ago, CIGNA con­sid­ered tear­ing the build­ing down and sell­ing the land to a golf course devel­op­er, but archi­tec­tur­al preser­va­tion­ists inter­vened. CIGNA staffmem­bers often joked about this, the sub­text being, "Can you believe that any­one would want to pre­serve this?" [A NYT arti­cle from 2001 details the debate]UPDATE: The Hart­ford Courant recent­ly pub­lished a grate­ful edi­to­r­i­al about CIGNA's deci­sion to pre­serve the Bun­shaft building.

Categories
inside art law & order visual

Art / CIA HQ

Out­side CIA head­quar­ters, there's an instal­la­tion called "Kryp­tos," a large met­al sheet con­tain­ing a series of char­ac­ters that has per­plexed puz­zlers since it was unveiled 10 years ago. Today, the NYT reports that the artist mis­tak­en­ly omit­ted a char­ac­ter.

Categories
kansas basketball

Kansas basketball / Another early exit

FOR THE LOVE OF GOD WHEN WILL THEY STOP TORTURING ME? Once again, the Jay­hawks exit­ed the NCAA tour­na­ment in the first round; this time, it was a 77–73 loss to Bradley, mark­ing the sec­ond year in a row in which the heav­i­ly-favored Hawks were up-end­ed by a low­er seed.What the hell went wrong? Bradley came out loose and snap­py; the Hawks looked spooked and tight. A cou­ple of unlucky ear­ly pos­ses­sions tipped the momen­tum toward Bradley, and you could see the Hawks get some­what pre­ma­ture­ly dis­cour­aged and frus­trat­ed. Up until the very late sec­ond half, the vaunt­ed Jay­hawk defense — which had cre­at­ed easy offen­sive oppor­tu­ni­ties all year — strug­gled to keep up with Bradley's relent­less inside-out attack. All year, Kansas had locked down their oppo­nents, forc­ing bad shots and rac­ing it right back up their oppo­nents' back­side. This time, they played Bradley's game for almost 40 minutes.The most con­found­ing part was that they seemed so out of sync. The stars from the Texas game fell vic­tim to the fum­bles and hic­cups that char­ac­ter­ized the ear­ly sea­son. Julian Wright dis­ap­peared for min­utes on end; Mario Chalmers couldn't get any­thing to fall in the first half; Sasha Kaun's shots got some tough treat­ment by the rim, and then, man, what hap­pened? And JHawk, well, you just knew that he wouldn't repeat the 4‑for‑5 shoot­ing from three point range. With­out Russ­Rob, the Hawks would have nev­er been in the game.Nevertheless, late in the sec­ond half, Self went with three guards, and the sud­den, swarm­ing defen­sive pres­sure par­a­lyzed Bradley's offense. Chalmers and Robin­son cre­at­ed turnovers, shred­ded Bradley's defense and — BAM — we got a quick glimpse of what could have been a 25-point cake­walk on anoth­er night. The Hawks just total­ly over­whelmed the Bradley back­court for the last 7 or 8 min­utes, and improb­a­bly the game was with­in reach.Then, heart­break. The Hawks cre­at­ed anoth­er turnover, and brought the ball upcourt, down by three with a lit­tle over a minute left. Hawkins comes around a screen. He's got an open look. DUDE, KNOCK IT DOWN! It looks good when it leaves his hands. The ball is arc-ing toward the bas­ket. I'm in a hotel room in Albu­querque, stand­ing on the bed with my arms raised in three-point/­field goal for­ma­tion, and I'm remem­ber­ing the Mis­souri game from 2003 when Aaron Miles hit a long, con­test­ed three as time ran out to win the game, WHICH I ALSO WATCHED FROM A HOTEL ROOM! SYNCHRONICITY! and I'm not breath­ing, and my heart is pound­ing GO IN for God's sake! NO! Rebound! NOOO!Alas.Was it worse than last year? I would say yes. Last year's team par­tial­ly implod­ed in the late sea­son, limped out of the Big 12 tour­na­ment, and rolled over some­where en route to their first round game. This year's team, though. I don't think I was the only one who was hav­ing visions of the Fab Five danc­ing in my head. For days after, I mourned both my brack­et (in sham­bles), and what could have been a vic­to­ry over Pitt, a dom­i­na­tion of Mem­phis, and a rock­ing good game against UCLA. LSU would have been a prob­lem. With­in sev­en or eight feet of the bas­ket, they were tough; out­side of that, inept. Could the Hawks have stopped them enough in the paint for that to mat­ter? Perhaps.

Categories
san francisco tech tip

Free WiFi to roll into SF

Flickr photo


So appar­ent­ly Google and Earth­link are team­ing up to pro­vide free WiFi ser­vice to all of SF (via Giz­mo­do). While we're still a ways from know­ing what this will actu­al­ly mean — main­ly, will be acces­si­ble at 14th and Valen­cia, third floor apart­ment? — it is intrigu­ing to me that Google is involved. Unlike Earth­link, Google has nev­er gouged me, or failed to pro­vide ser­vice that I've paid for, or sold my name and home address to direct marketers. 

So I guess you could say that I'm hope­ful. Maybe some­day soon I'll be able to work from Pac Bell (er, I mean, SBC … er, I mean AT&T) Park, or Bue­na Vista Park, or the lit­tle red­wood grove out­side the Transamer­i­ca build­ing.
Or from my roof. (See the photo).

Categories
baseball

Kirby Puckett, 1960–2006

In the fall of 1990, I went to see a Twins-Roy­als game in the Homer Dome. Do I need to men­tion that the Roy­als were not con­tend­ing for a play­off spot? They weren't, and nei­ther were the Twins. There were approx­i­mate­ly 1000 peo­ple there, but the rare assort­ment of play­ers on the field has made the game stick in my mem­o­ry. Roy­al leg­end George Brett was lock­ing down a bat­ting title in a third decade.[1] Bo Jack­son was about to play his last base­ball game at full strength. And Kir­by Puck­ett was in his prime, smil­ing, clown­ing, and inspir­ing even the Roy­als fans (me and my friends) among the crowd to cheer for him.My friends and I had an entire left-field sec­tion to our­selves, and the Metrodome's infa­mous acoustics com­bined with the absence of peo­ple pro­vid­ed my friend Adlai with a rare oppor­tu­ni­ty to ensure that Twins fan favorite Dan Glad­den heard his every com­ment about his mul­let. It also afford­ed us an oppor­tu­ni­ty to hear Kir­by clown­ing around with peo­ple in the cen­ter field bleach­ers. At that point, no one could argue that Puck was any­thing but a great guy. He was fun; the Twins were good; the Twins infa­mous­ly fair-weath­er fans didn't real­ly seem to appre­ci­ate him at that moment, but he didn't let it get to him.A lit­tle over a year lat­er, his hero­ics would pro­pel the Twins to anoth­er World Series cham­pi­onship, and his leap­ing Game 6 catch, com­bined with the game-win­ning dinger, would com­prise one of the great all-time clutch per­for­mances. Every­thing after that seemed out of character.[1] At this point, this seems even more remark­able than it did then. Seri­ous­ly, who else is going to pull that off? Todd Hel­ton in 2011? Maybe, but not likely.

Categories
baseball lit reviews

Books / Game of Shadows

I was just watch­ing ESPN's Open­ing Day cov­er­age of the Braves-Dodgers game, and the con­ver­sa­tion between com­men­ta­tor Erik Kar­ros (wasn't he Rook­ie of the Year like 5 years ago?) and Rick Sut­cliffe turned to steroids. Kar­ros couldn't con­tain him­self. He blus­tered and ram­bled for a while, crit­i­ciz­ing those who demand­ed an inves­ti­ga­tion, and basi­cal­ly rehashed Mark McGwire's non-denial denial to a Sen­ate sub-com­mit­tee: Steroids were abused in the past; the league has adopt­ed a stricter pol­i­cy; let's all move on. The mes­sage was uno­rig­i­nal — a lot of cur­rent play­ers don't want to dwell on this unsa­vory devel­op­ment — but the air of defen­sive­ness mixed with dis­dain seemed odd­ly reminscent of anoth­er guilty, defi­ant per­son — Don­ald Rumsfeld.Anyway, over the past cou­ple of days, I tore through Game of Shad­ows, the recent­ly pub­lished steroids expose by Mark Fainaru-Wada and Lance Williams. After a month of PR build-up and pub­lished excerpts, there weren't many surprises:

  • Bonds availed him­self of steroids. One might say, a but­t­load of steroids.
  • So did Mar­i­on Jones.
  • They're both liars.
  • So are a lot of pro­fes­sion­al athletes.

Bonds is the big sto­ry in Game of Shad­ows. If you couldn't already tell by his car­toon­ish­ly swollen neck/head and his late-career pow­er explo­sion, Bonds hasn't been play­ing fair. He admit­ted to a grand jury that he allowed his train­er (a known juicer) to place droplets of an "unknown" chem­i­cal under his tongue, and to rub an "unknown" cream on his joints. Bonds thought that these were legal sup­ple­ments — the drops were "flaxseed oil" — yeah, he actu­al­ly said that — and he implied that he'd nev­er inject­ed any­thing. Uh-huh, yeah. I'm a fan of the flaxseed oil, and I can tes­ti­fy that it doesn't make your head become like 5x big­ger. Plus, Bonds has always been a con­trol freak. Is it even remote­ly pos­si­ble that he didn't both­er find­ing out what his train­er was stick­ing in his mouth?The book reveals the Bonds was on a steroid reg­i­men that includ­ed more than "flaxseed oil," mak­ing it seem even more like­ly that Bonds per­jured him­self in front of the grand jury. Sources close to him indi­cate that he was on all sorts of injectable crap, includ­ing Decadurabolin (in the butt) and human growth hor­mone (in the stom­ach). He want­ed us to believe that it was all free weights and sprints and vit­a­mins, but it makes a lit­tle more sense that there was some secret sauce in the mix.A per­son­al note: Bar­ry, dude, seri­ous­ly. Just freakin admit it. You're like a lit­tle kid sit­ting in a pile of cook­ie crumbs, cry­ing and claim­ing that you didn't eat any cook­ies. It's undig­ni­fied, real­ly. Say "I took steroids because I want­ed to win, because every­one else was, because it's what I had to do." Fans under­stand com­pet­i­tive­ness, and you're a com­pet­i­tive guy, and steroids weren't against the rules any­way. So just fess up, you big baby. At some point, you could even ask for our for­give­ness. I mean, it's pos­si­ble. You always claim that you're not giv­en the respect you deserve. Here's your chance to earn it.

Categories
cinema reviews

Movies / More Oscar crap

Of course Crash won Best Pic­ture. Why wouldn't Acad­e­my mem­bers — I'm assum­ing they're most­ly white and Ange­leno — ral­ly around a film that momen­tar­i­ly relieved them of guilt they feel for liv­ing in such a racial­ly seg­re­gat­ed city? (I have to admit that I love Ludacris's rant about the racial impli­ca­tions of rid­ing city bus­es. That, and Don Cheadle's open­ing, were the only moments in the entire movie that weren't heavy-hand­ed, cheesy, or gag-inducing).The Morn­ing News has a great list of quotes from oth­er review­ers who dis­liked the movie as much as I did. A sam­ple: "Con­trived, obvi­ous and over­stat­ed, Crash is basi­cal­ly just one white man's right­eous attempt to make oth­er white peo­ple feel as if they've con­front­ed the prob­lem of racism head-on."

Categories
lit

Truth, fiction, the Village Voice, Sylvestergate

Vil­lage Voice writer Nick Sylvester joins the ranks of defamed young jour­nal­ists with his recent for­ay into research fab­ri­ca­tion — i.e., he basi­cal­ly invent­ed a (most­ly unre­mark­able) scene that neat­ly summed up his thoughts in an arti­cle on Neil Strauss's The Game and its effect on NYC dat­ing cul­ture. The obvi­ous­ly weird thing is that the "research" he faked was the kind of thing that most young reporters would not even think of as "research." An assign­ment requir­ing lots of time in bars and night­clubs, watch­ing peo­ple hit on each oth­er? That's the kind of embed­ded jour­nal­ism that a (now for­mer) music writer should be able to han­dle, right?Disappointly, he doesn't real­ly do much with the lies and deceit, mak­ing Sylvester the writer rough­ly 2000% less inter­est­ing than Stephen Glass who at least endeav­ored to write a riv­et­ing sto­ry with his fak­ery. It's also clear that Jayson Blair's jock­strap is still in need to trans­port when one finds that Sylvester quotes real peo­ple who he nev­er, umm, inter­viewed. A note of real­i­ty: It's worth point­ing out that the juve­nile bs foist­ed upon us by Pitch­fork­ers past and present sim­ply enhances the excel­lence of jour­nal­ism that mat­ters from peo­ple like him, her, and her.

Categories
inside art reviews san francisco visual

Art / Richard Misrach slays 49 Geary

Hazardous waste

First Thurs­days at 49 Geary can be over­whelm­ing, peo­ple-wise, and under­whelm­ing, art-wise, and this month was dif­fer­ent only in that the over­whelm­ing­ness was crammed into one place: the Fraenkel Gallery. Packed with peo­ple, it also dis­played a face-melt­ing col­lec­tion of Richard Mis­rach photos.

When I first saw Misrach's pho­tos, I thought imme­di­ate­ly of Sebas­tiao Sal­ga­do. Both guys address big themes — civ­i­liza­tions, sea­sons, land­scapes, human endeav­ors — but they do so in vast­ly dif­fer­ent ways. Sal­ga­do frames his work around human action; his sub­jects are migrants, activi­tists, labor­ers. Mis­rach works with earth, light, space; he works with dunes, strangers, cars, pow­er plants. Salgado's work is tied to cur­rent events, polit­i­cal move­ments, regimes, defin­able moments and rec­og­niz­able things; Mis­rach works with more anony­mous objects and land­scapes. There are much more sig­nif­i­cant dif­fer­ences between them, but they share a social aware­ness that invests the best of their work with real intrigue and importance.

Categories
inside art reviews san francisco visual

Art / Oakland is special in other ways

Flickr photo

Last night we checked out the Oak­land Art Mur­mur. Actu­al­ly, we didn't even know that such a thing exist­ed, and drove over the Bridge intend­ing to see Jason Munn's open­ing at Bloom Screen Print­ing. So it was a pleas­ant sur­prise to see that lit­tle stretch of Tele­graph goin off when we got there. Jason's stuff was the best of the art stuff, by far, but the action on the street was out front of Rock Paper Scis­sors.That's where we saw a guy burn an Amer­i­can flag. It took him rough­ly 10 min­utes of false starts to light it with a Bic, but just after I took this pic­ture, an ambu­lance raced up the street, sirens blar­ing, on its way to some emer­gency, but it abrupt­ly slowed down when the dri­ver saw the burn­ing flag, and we could see the faces of the oth­er para­medics star­ing at the guy as they crawled by. It was one of those only-in-Oak­land moments. Holla!